Beginning – influenced by our Canadian artists – subject matter landscape. By the end of the 1950’s, George Forgie felt
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A self-proclaimed Romantic Period. Although the landscape remains, it now has become but a surreal backdrop. His family, as subject matter,
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The artist is strongly announcing his favoured, strong colour palette now, and this will remain for the most part as a
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Paintings of this short period are marked by a turn away from high-keyed colours to very subdued sombre contrasts. Here
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It is at this time that George Forgie finally realized himself s a devout Realist. Subject matter varies! The landscape
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Pointillism – high keyed colour. By the use of hard-edge, the subject becomes static, frozen in time. At this stage of
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All periods of growth and experience have come together; hard and soft edges, high-keyed colour; pointillism, to a degree, combined
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